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Haitian gospel music, began its roots in the rise of Christianity, when it was first imported to the island by Spain's Christopher Columbus in the 15th-century and again by the French during colonial years of Saint-Domingue, as Jesuits and Capuchins served as missionaries to continue the proliferation of Catholicism.
Styles of music unique to the nation of Haiti include music derived from rara parading music, twoubadou ballads, mini-jazz rock bands, rasin movement, hip hop Creòle, the wildly popular compas, [1] and méringue as its basic rhythm. Haitian music is influenced mostly by European colonial ties and African migration (through slavery).
Rasin, also known as Haitian roots music, [2] is a musical style that began in Haiti in the 1970s when musicians began combining elements of traditional Haitian Vodou ceremonial and folkloric music with various musical styles.
The term Creole music (French: musique créole) is used to refer to two distinct musical traditions: art songs adapted from 19th-century vernacular music; or the vernacular traditions of Louisiana Creole people which have persisted as 20th- and 21st-century la la and zydeco in addition to influencing Cajun music.
Mizik rasin is a musical movement that began in Haïti in 1987 when musicians began combining elements of traditional Haitian Vodou ceremonial and folkloric music with rock and roll. This style of modern music reaching back to the roots of Vodou tradition came to be called mizik rasin ("roots music") in Haitian Creole or musique racine in French.
Haitian artist Paul Beaubrun, right, closes out Haiti’s Pap Jazz Festival in January 2023 in the northern city of Cap-Haitien. Beaubrun’s parents are members of the Grammy-nominated band ...
The band's music was suppressed by the military authority of the junta led by Raoul Cédras that ruled the country from 1991 to 1994. In 1994, Boukan Ginen became the third Haitian musical group to receive the Prix Découverte from Radio France International .
Compas (French pronunciation:; Haitian Creole: konpa dirèk; [2] French: compas direct), also known as konpa or kompa, is a modern méringue dance music genre of Haiti. [1] The genre was popularized by Nemours Jean-Baptiste following the creation of Ensemble Aux Callebasses in 1955, which became Ensemble Nemours Jean-Baptiste in 1957. The ...