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Late 1920s era sheet music cover. "American Patrol" is a popular march written by Frank White (F.W.) Meacham in 1885. It incorporates both original musical themes by Meacham and melodies from American patriotic songs of the era such as "Columbia, the Gem of the Ocean," "Dixie," and "Yankee Doodle."
Yankee Doodle went to town A-riding on a pony, Stuck a feather in his cap And called it macaroni. [Chorus] Yankee Doodle keep it up, Yankee Doodle dandy, Mind the music and the step, And with the girls be handy. Father and I went down to camp, Along with Captain Gooding, [a] And there we saw the men and boys As thick as hasty pudding. [Chorus]
Braggiotti and Andis married and formed a new duo-piano team. He wrote more of his caricatural "Variations on 'Yankee Doodle'", including two vocals for which Susan wrote the lyrics. He did an orchestral reduction of his Gettysburg Cantata using two pianos, percussion, and bass along with the soloist and chorus. With his wife, Braggiotti ...
Historically, the term "pocket" referred to a pouch worn around the waist by women in the 17th to 19th centuries. Skirts or dresses of the time had an opening at the waistline to allow access to the pocket which hung around the woman's waist by a ribbon or tape.
Sheet music cover, 1904 " The Yankee Doodle Boy ", also known as " (I'm a) Yankee Doodle Dandy " is a patriotic song from the Broadway musical Little Johnny Jones , written by George M. Cohan . The play opened at the Liberty Theater on November 7, 1904.
In music, letter notation is a system of representing a set of pitches, for example, the notes of a scale, by letters. For the complete Western diatonic scale , for example, these would be the letters A-G, possibly with a trailing symbol to indicate a half-step raise ( sharp , ♯ ) or a half-step lowering ( flat , ♭ ).
It contains his clever arrangement of Yankee Doodle played at the same time as Dixie. Atkins is pictured on the cover in his home studio in Nashville. He was often dissatisfied with his performances in the RCA studios and would take the already recorded rhythm tracks home with him to perfect his guitar part in his own studio. [1]
Blue Monday, (1927) a piano suite based on Gershwin's one-act opera of the same name; Merry Andrew, (1928) arrangement of a dance piece from Rosalie; Three-Note Waltz, (1931) Also known as Melody #36. Unpublished. Piano Transcriptions of Eight Songs (1932) George Gershwin’s Song-Book (1932), complex arrangements of 18 Gershwin songs