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In Argentina, the music of folkloric projection began to acquire popularity in the 1930s and 1940s, coinciding with a large wave of internal migration from the countryside to the city and from the provinces to Buenos Aires, to establish itself in the 1950s, with the "folklore boom", as the main genre of national popular music, together with tango.
Folk music—known as música folklórica or folklore in Spanish, from the English "folklore"—is a music genre that includes both traditional folk music and contemporary folk music, which emerged from the genre's 20th-century revival. Argentine folk music comes in many forms and has Indigenous, European, and African influences.
History of folkloric music in Argentina This page was last edited on 13 April 2024, at 21:32 (UTC). Text is available under the Creative Commons Attribution ...
Throughout its history Cosquín has been the definitive place to leverage the success of the most important artists of the folk music of Argentina, including Mercedes Sosa, León Gieco, Víctor Heredia, Eduardo Falú, Los Chalchaleros, Los Fronterizos, Los Cantores del Alba, Los Cuatro de Córdoba, Los Tucu Tucu, Los de Salta, Julia Elena ...
View history; Tools. Tools. move to sidebar hide. ... Argentine folk music (3 C, 1 P) Argentine legends (4 P) G. Guaraní mythology (2 C, 8 P) Pages in category ...
Street band from Peru performing El Cóndor Pasa in Tokyo. Andean music is a group of styles of music from the Andes region in South America.. Original chants and melodies come from the general area inhabited by Quechuas (originally from Peru, Bolivia, Ecuador, Chile), Aymaras (originally from Bolivia), and other peoples who lived roughly in the area of the Inca Empire prior to European contact.
In Argentina, the bombo criollo is called bombo legüero and played in many folkloric styles. In Cuba, bombos are the largest drums played by the street comparsas in Santiago . In other countries, the term tambora is commonly used.
The erkencho can be traced back in 20th century when Andean folkloric musicians used it to harmonize their music. Although the erkencho is played within secular music, the erke has been most notable as a ritualistic instrument. In fact, certain communities in the Gran Chaco consider playing erke for secular reasons as taboo.