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"Long, Long Ago" is a song dealing with nostalgia, written in 1833 by English composer Thomas Haynes Bayly.Originally called "The Long Ago", its name was apparently changed by the editor Rufus Wilmot Griswold when it was first published, posthumously, in a Philadelphia magazine, along with a collection of other songs and poems by Bayly.
"Those Were the Days" is a song composed by Boris Fomin (1900–1948) but credited to Gene Raskin, who put a new English lyric to Fomin's Russian romance song "Dorogoi dlinnoyu", [a] with words by the poet Konstantin Podrevsky. The song is a reminiscence of youth and romantic idealism.
Back in the Day (Ahmad song) Back in the Day (Missy Elliott song) Back Then (CDB song) Back Then Right Now; Back to the 80s (song) Back When; Back When My Hair Was Short; Baggy Trousers; Be Here Now (George Harrison song) Beach Baby; The Best Year of My Life (song) Birth of Rock and Roll; La Bohème (Charles Aznavour song) Bookends (song) The ...
The song is based on Donna Deitch's 1985 film Desert Hearts, which is an adaptation of Rule's novel. [186] "Soma" Is This It: The Strokes: Brave New World: Aldous Huxley: Refers to the fictional drug used in Brave New World. [187] "Song For Clay" A Weekend in the City: Bloc Party: Less than Zero: Bret Easton Ellis [53] "The Stand (Prophecy ...
The "reminiscence bump" effect, observed in autobiographical memory research, highlights the tendency for older individuals to recall and rate memories from adolescence and early adulthood as more vivid and important. Studies in the realm of music have revealed that songs released during an individual's 10-30-year age range are not only ...
"1979" is a song by American alternative rock band the Smashing Pumpkins. It was released in 1996 as the second single from their third studio album, Mellon Collie and the Infinite Sadness. "1979" was written by frontman Billy Corgan, and features loops and samples uncharacteristic of previous Smashing Pumpkins songs. [7]
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American composer and producer Marvin Hamlisch created the final melody for "The Way We Were", which initially was a problem between himself and the singer. Barbra Streisand had asked Hamlisch to produce a composition in minor key, but he instead wrote it in major key due to his fear of the song's lyrics being revealed too quickly. [4]