Search results
Results From The WOW.Com Content Network
This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A 4), tuned to 440 Hz (referred to as A440).
For orchestration of piano music, some theorists recommend transposing the music to D minor or E minor. If D-sharp minor must absolutely be used, one should take care that B ♭ wind instruments be notated in F minor , rather than E-sharp minor (or G instruments used instead, giving a transposed key of G-sharp minor ), and B ♮ instruments in ...
F-sharp minor is a minor scale based on F ... Piano Sonata in F-sharp minor, D 571 (incomplete) Robert Schumann. Piano Sonata No. 1, Op. 11; Alexander Scriabin.
This usage can be found in several of the Mikrokosmos piano pieces. When modulation causes the new key to traverse the bottom of the circle of fifths this may give rise to a theoretical key , containing eight (or more) sharps or flats in its notated key signature; in such a case, notational conventions require recasting the new section in its ...
In the German notation scheme, a hyphen is added between the pitch and the alteration (D-Dur). In German, Dutch, and Lithuanian, the minor key signatures are written with a lower case letter (d-Moll, d klein, d kleine terts). For example, to describe a song composed in the key of F-sharp major, one could say: F-sharp major (English)
The Piano Sonata in F-sharp minor D 571, was composed by Franz Schubert in July 1817. The sonata was first published long after the composer's death in 1888 by Breitkopf & Härtel . The sonata is incomplete, consisting of only a single movement, and even that was abandoned by the composer before completion.
No. 18 starts in D♭ but changes to f#; No. 22 starts in f but changes to D♭; No. 24 changes from E♭ to e♭. This set, despite including 30 pieces, includes no enharmonic pairs at all. The versions of the six keys which have enharmonic pairs used are B major, G# minor, F# major, E♭ minor, D♭ major, and B♭ minor.
D ♯ (D-sharp) or ré dièse is the fourth semitone of the solfège. It lies a chromatic semitone above D and a diatonic semitone below E, thus being enharmonic to mi bémol or E ♭. However, in some temperaments, it is not the same as E ♭. E ♭ is a perfect fourth above B ♭, whereas D ♯ is a major third above B.