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A percussion mallet or beater is an object used to strike or beat a percussion instrument to produce its sound. The term beater is slightly more general. A mallet is normally held in the hand while a beater may be a foot or mechanically operated, for example in a bass drum pedal. The term drum stick is less general still but still applied to a ...
For some instruments, such as triangles and large gongs, only one mallet or beater is normally used, held either in one hand or in both hands for larger beaters. For others, such as snare drums, two beaters are often used, one in each hand. More rarely, more than one beater may be held in one hand; for example, when four mallets are used on a ...
Cane rute drum sticks. The rute (also spelled ruthe, from the German for 'rod' or 'switch'), also known as a multi-rod, is a beater for drums. Commercially made rutes are usually made of a bundle of thin birch dowels or thin canes attached to a drum stick handle. These often have a movable band to adjust how tightly the dowels are bound toward ...
Very quiet notes can be obtained by using a much lighter beater; knitting needles are sometimes used as well. Composers sometimes call for wooden beaters to be used instead of a metal one, producing a unique tone. [12] A triangle roll, similar to a snare roll, is notated with three lines through the stem of the note. It requires the player to ...
In his Overture to Benvenuto Cellini, for example, Hector Berlioz realizes fully voiced chords from the timpani by requiring three timpanists and assigning one drum to each. He goes as far as ten timpanists playing three- and four-part chords on sixteen drums in his Requiem, although with the introduction of pedal tuning, this number can be ...
For chords, it was common to just play three or two holes instead (sometimes even just one), especially when the instrument is not of the same key. For example, in the blues progression in G (G G G G7 C C G G D7 D7 G G) it is common to use a C diatonic instrument, and notate the following: G chord (G-B-D): 34i (BD) G7 chord (G-B–D-F): 45i (DF).
The Moeller Method uses the whipping motion, described above, and applies it to the 4 basic strokes of drumming, the Full, Up, Down, and Tap strokes. [6] Using a combination of the basic strokes, in the whipping Moeller style it is possible to play extremely quickly with minimal effort, or to introduce a series of accents into a stream of notes with relative ease. [7]
The beater is held with the strong hand and the head is struck a little off-center. A playing technique called virado is often used, in which the drum is flipped upside-down in the middle of the pattern, which produces one note that is slightly delayed, giving the samba its characteristic lilt. The instrument may also occasionally be struck on ...