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Liebestraum No. 3 in A-flat major is the most familiar of the three nocturnes and is in three sections, each divided by a fast cadenza requiring dexterous fingerwork and a high degree of technical ability. One melody is used throughout, and varied, notably near the middle of the nocturne, at a climax, where it is played in a series of octaves ...
"O lieb, so lang du lieben kannst" is an 1829 poem by the 19th-century German writer Ferdinand Freiligrath.Hungarian composer Franz Liszt set the first four stanzas in 1843 as a lied for soprano voice and piano, S. 298, and later adapted it into the third of his Liebesträume (Dreams of Love), S. 541.
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
Liebestraum means "love dream", or "dream of love" in German. Liebesträume, for piano by Franz Liszt; Liebestraum, 1991 movie by Mike Figgis
No.2 of Für Männergesang; 3rd version of S.90/2a, S.90/2b 90/ 3a M10/1 Wir sind nicht Mumien mch pf 1842 Choral, secular No.1 of Vierstimmige Männergesänge; 1st version of S.90/3b 90/ 3b M10/2 Wir sind nicht Mumien mch pf 1860–61 Choral, secular No.3 of Für Männergesang; 2nd version of S.90/3a 90/ 4a M22/1
Same deal with the Liebesträume. Each individual one is a Liebestraum. I doubt there would be a reference for this, btw, because, as I say, it's common sense and common usage. I have never ever heard or seen No. 3, for example, referred to as "Liebesträume No. 3" - it's always "Liebestraum No. 3".
Arthur Rubenstein – performs "Liebestraum No. 3 (A Dream of Love)" Louis Jordan – "Is You Is or Is You Ain't Ma' Baby", and "Sweet Georgia Brown", with Raft performing the charleston; W. C. Fields – performs a comedy routine involving a billiard table; Carmen Amaya – "Merriment" the Delta Rhythm Boys; Gautier's performing dogs
There is no doubt that it was an easier task for Liszt to make fantasies and transcriptions than composing large scale original works. It was this reason for which Princess Wittgenstein frequently called him "fainéant" ("lazy-bones"). [4] But, nevertheless, Liszt invested a particular kind of creativity.