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Background knowledge/IP is knowledge/IP that is relevant to a collaborative venture or open innovation project that is supplied by the partners at the start of the project. Foreground knowledge/IP is all the knowledge/IP produced within the collaborative venture or open innovation project during the project’s tenure.
Foreground-background, a scheduling algorithm that is used to control execution of multiple processes on a single processor; Foreground-background segmentation, a method for studying change blindness using photographs with distinct foreground and background scenery; Foreground detection, a concept in computer vision to detect changes in image ...
Foreground-background is a scheduling algorithm that is used to control an execution of multiple processes on a single processor. It is based on two waiting lists, the first one is called foreground because this is the one in which all processes initially enter, and the second one is called background because all processes, after using all of their execution time in foreground, are moved to ...
Foreground detection separates foreground from background based on these changes taking place in the foreground. It is a set of techniques that typically analyze video sequences recorded in real time with a stationary camera.
It is "the 'throwing into relief' of the linguistic sign against the background of the norms of ordinary language." [2] There are two main types of foregrounding: parallelism and deviation. Parallelism can be described as unexpected regularity, while deviation can be seen as unexpected irregularity. [3]
Movement also helps; the figure may be moving against a static environment. Color is also a cue because the background tends to continue as one color behind potentially multiple foreground figures, whose colors may vary. Edge assignment also helps; if the edge belongs to the figure, it defines the shape while the background exists behind the shape.
Parallax scrolling is a technique in computer graphics where background images move past the camera more slowly than foreground images, creating an illusion of depth in a 2D scene of distance. [1] The technique grew out of the multiplane camera technique used in traditional animation [2] since the 1930s.
Usually, mattes are used to combine a foreground image (e.g. actors on a set) with a background image (e.g. a scenic vista or a starfield with planets). In this case, the matte is the background painting. In film and stage, mattes can be physically huge sections of painted canvas, portraying large scenic expanses of landscapes.