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The Conversion of Saint Paul, Luca Giordano, 1690, Museum of Fine Arts of Nancy The Conversion of Saint Paul, Caravaggio, 1600. The conversion of Paul the Apostle (also the Pauline conversion, Damascene conversion, Damascus Christophany and Paul's "road to Damascus" event) was, according to the New Testament, an event in the life of Saul/Paul the Apostle that led him to cease persecuting early ...
The first influential art critic who dismissed the painting was Giovanni Pietro Bellori. In 1672 he wrote in The lives of the modern painters, sculptors and architects about the Cerasi Chapel: "Caravaggio executed the two lateral paintings, the Crucifixion of Saint Peter and the Conversion of Saint Paul; whose history is completely bereft of ...
In the 16th chapter of St. Paul's letter to the Romans, Epenetus is referred to by Saint Paul as "my beloved" and given the great distinction of being named the "first convert in the Province of Asia". [2] Epaentus was a convert to Christianity in Ephesus.
Paul's conversion fundamentally changed his basic beliefs regarding God's covenant and the inclusion of Gentiles into this covenant. Paul believed Jesus' death was a voluntary sacrifice, that reconciled sinners with God. [302] The law only reveals the extent of people's enslavement to the power of sin—a power that must be broken by Christ. [303]
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The Conversion of Saint Paul (or Conversion of Saul), by the Italian painter Caravaggio, is housed in the Odescalchi Balbi Collection of Rome. It is one of at least two paintings by Caravaggio of the same subject, the Conversion of Paul. Another is The Conversion of Saint Paul on the Road to Damascus, in the Cerasi Chapel of Santa Maria del Popolo.
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