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Opening to positive reviews on October 25, 1957, Pal Joey was an instant success with critics and the general public alike. Variety stated, "Pal Joey is a strong, funny entertainment. Dorothy Kingsley's screenplay, from John O'Hara's book, is skillful rewriting, with colorful characters and solid story built around the Richard Rodgers and ...
Pal Joey is a 1940 musical with a book by John O'Hara and music and lyrics by Richard Rodgers and Lorenz Hart.The musical is based on a character and situations O'Hara created in a series of short stories published in The New Yorker, which he later published in novel form.
226. "Old Pal" Cocktail. 1/3 Canadian Whisky, 1/3 French Vermouth, 1/3 Campari. (Recipe by "Sparrow" Robertson, Sporting Editor of the New York Herald, Paris.) The cocktail was popular enough to be included as one of the 50 cocktail in the inaugural 1961 list of IBA official cocktails, but was removed in the 1987 revision.
English: Promo still of Rita Hayworth, Frank Sinatra, Kim Novak in the 1957 film Pal Joey. Portrait artist Nicholas Volpe used Sinatra's pose in this photo as a model for his 1975 painting of the older Sinatra, which can be seen at icollector.com and Bonhams. According to Bonhams, the painting hung in the Friars Club of Beverly Hills for many ...
An uncredited critic reviewing "New Plays in Manhattan" for Time said of Pal Joey that the musical contains "all the dancing anyone could want and at least three more great Richard Rodgers tunes: 'I Could Write a Book' (sweet), 'Love Is My Friend' (torchy), 'Bewitched, Bothered and Bewildered' (catchy)." [2]
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NEW YORK — Savion Glover will be in the director’s seat for his next big Broadway production. The Tony Award-winning star of “Bring in ‘da Noise, Bring in ‘da Funk” and “Jelly’s ...
Pal Joey is a 1940 epistolary novel by John O'Hara, [1] which became the basis of the 1940 stage musical comedy and 1957 motion picture of the same name, with music by Richard Rodgers and lyrics by Lorenz Hart. [2] [3] It was originally written as a series of episodic short stories in The New Yorker in the late 1930s. [4]