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Arabesque position with working leg à la hauteur, forming a 90° angle with supporting leg Arabesque penchée. Arabesque (French:; literally, "in Arabic fashion") in dance, particularly ballet, is a body position in which a dancer stands on one leg–the supporting leg–with the other leg–the working leg–turned out and extended behind the body, with both legs held straight.
Italian, or French adage, meaning 'slowly, at ease.' Slow movements performed with fluidity and grace. One of the typical exercises of a traditional ballet class, done both at barre and in center, featuring slow, controlled movements. The section of a grand pas (e.g., grand pas de deux), often referred to as grand adage, that features dance ...
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Another ballet, Sheherazade, choreographed by Michel Fokine in 1910 to music by Nikolai Rimsky-Korsakov, is a story involving a shah's wife and her illicit relations with a Golden Slave, originally played by Vaslav Nijinsky. [77] The ballet's controversial fixation on sex includes an orgy in an oriental harem.
In Maghrebi (Moroccan Arabic), "sheikha" limits its meaning to specify a woman with carnal knowledge extensive enough to teach others. It is an erotic women-only dance, originally performed for the bride before her wedding, with the idea of teaching her how she would be expected to move in the marriage bed.
The camel spin is executed on one foot and is an adaptation of the arabesque ballet pose to the ice. [33] [39] When executed well, the stretch of the body should create a slight arch or straight line. [23] Skaters increase the difficulty of camel spins in a variety of ways. [33]
The arabesque emerged in the West as a part of the Classical period in music, defined by the return to classical forms of art from Greece and Rome, and in this case, Arab classical culture. [9] It drew on the simplicity of the art and architecture to "avoid extravagant excess" in the music. [ 9 ]