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It is possible to boost the microphone volume by applying software-based gain; however, this is at the loss of audio quality. Low THD hardware and dual-microphone noise suppression help clean up the noisefloor to allow software-base gain with less of an impact to audio quality. [citation needed]
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Audio engineers typically aim at achieving a good gain structure for each channel. To obtain a good gain structure, engineers usually raise the gain as high as they can before audio clipping results; this helps to provide the best signal-to-noise ratio. A mixing console may provide insert points after the input gain stage. These provide send ...
These "Hi-Z" or "instrument" inputs generally have higher gain than a line input. They are designed to be used with, for example, electric guitar pickups and " direct injection " boxes. Some of these sources can provide only minimal voltage and current and the high impedance input is designed to not load them excessively.
Audio feedback from microphones occurs when a microphone is too near a monitor or main speaker and the sound reinforcement system amplifies itself. Audio feedback through a microphone is almost universally regarded as a negative phenomenon, many electric guitarists use guitar feedback as part of their performance. This type of feedback is ...
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This means that (1) moving the microphone closer to the sound source increases the signal level produced by the microphone, and (2) moving the microphone further away from undesirable noise sources will diminish the amount of noise in the microphone signal. Microphone placement is therefore an important aspect of gain staging [citation needed].
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