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This page was last edited on 24 February 2024, at 13:12 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Rudolph Franz Zallinger (German pronunciation: [ˈru:dɔlf ˈtsa:lɪŋɐ]; [2] November 12, 1919 – August 1, 1995) was an American-based Austrian-Russian artist. His most notable works include his mural The Age of Reptiles (1947) at Yale University's Peabody Museum of Natural History, and the March of Progress (1965) with numerous parodies and versions.
Reptiles depicts a desk upon which is a two dimensional drawing of a tessellated pattern of reptiles and hexagons, Escher's 1939 Regular Division of the Plane. [2] [3] [1] The reptiles at one edge of the drawing emerge into three dimensional reality, come to life and appear to crawl over a series of symbolic objects (a book on nature, a geometer's triangle, a three dimensional dodecahedron, a ...
Reptiles, from Nouveau Larousse Illustré, 1897–1904, notice the inclusion of amphibians (below the crocodiles). In the 13th century, the category of reptile was recognized in Europe as consisting of a miscellany of egg-laying creatures, including "snakes, various fantastic monsters, lizards, assorted amphibians, and worms", as recorded by Beauvais in his Mirror of Nature. [7]
All modern reptiles and birds are placed within the neodiapsid subclade Sauria. Although some diapsids have lost either one hole (lizards), or both holes (snakes and turtles), or have a heavily restructured skull (modern birds), they are still classified as diapsids based on their ancestry.
Reptiles are tetrapod animals in the class Reptilia, comprising today's turtles, crocodilians, snakes, amphisbaenians, lizards, tuatara, and their extinct relatives. The study of these traditional reptile orders , historically combined with that of modern amphibians , is called herpetology .
In European bestiaries and legends, a basilisk (/ ˈ b æ s ɪ l ɪ s k / or / ˈ b æ z ɪ l ɪ s k / [1]) is a legendary reptile reputed to be a serpent king, who causes death to those who look into its eyes.
This morphology is unique within the Amniota and makes discerning ichthyosaur vertebrae from those of other marine reptiles easy. The only process that kept its function was the spine at the top, serving as an attachment for the dorsal muscles. However, even the spine became a simple structure.