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TV Recording Film, Type 834 B and A, B&W (discontinued) The 1969 list is identical to 1966. [8] 1969 is the last appearance of DuPont motion picture film stocks in the American Cinematographer Manual. The list below is from 1970; "A" was 16mm, "B" was 35mm. [9] Films marked with ‡ could also be processed as a negative film stock
Later color films, like Kodacolor II, have as many as 12 emulsion layers, [2] with upwards of 20 different chemicals in each layer. Photographic film and film stock tend to be similar in composition and speed, but often not in other parameters such as frame size and length.
Film look (also known as filmizing or film-look) is a process in which video is altered in overall appearance to appear to have been shot on film stock. [1] The process is usually electronic , although filmizing can sometimes occur as an unintentional by-product of some optical techniques, such as telerecording .
UCLA Film and Television Archive. UCLA Film and Television Archive Terminology, Definitions, and Abbreviations List, 2004. Retrieved on 2006-12-01. unknown author. Formats 8 mm, 2004–2005. Retrieved on 2008-06-23. Vigeant, Rhonda. Max 8 Press Release, 2005. Retrieved on 2006-12-01. Westphal, Kyle. An Enlarged History of Magnascope, 2016 ...
The original camera negative (OCN) is the film in a traditional film-based movie camera which captures the original image. This is the film from which all other copies will be made. It is known as raw stock prior to exposure. The size of a roll varies depending on the film gauge and whether or not a new roll, re-can, or short end was used. One ...
It is the standard development process for all modern motion picture color negative developing, including Fujifilm and other non-Kodak film manufacturers. All film stocks are specifically created for a particular development process, thus ECN-1 film could not be put into an ECN-2 development bath since the designs are incompatible.
As a bipack color process, the photographer loaded a standard camera with two film stocks: an orthochromatic strip dyed orange-red and a panchromatic strip behind it. The orthochromatic film stock recorded only blue and green, and its orange-red dye (analogous to a Wratten 23-A filter) filtered out everything but orange and red light to the panchromatic film stock.
The in-camera matte shot remained in use until the film stock began to go up in quality in the 1920s. During this time a new technique known as the bi-pack camera method was developed. This was similar to the in-camera matte shot, but relied on one master positive as a backup. This way if anything was lost, the master would still be intact.