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Working-class children presumably were more likely than the rich to wear handed-down clothes that were used by both sexes. In portraits the colours of clothes often keep the rough gender distinctions we see in adults—girls wear white or pale colours, and boys darker ones, including red.
The silhouette changed once again as the Victorian era drew to a close. The shape was essentially an inverted triangle, with a wide-brimmed hat on top, a full upper body with puffed sleeves, no bustle, and a skirt that narrowed at the ankles [11] (the hobble skirt was a fad shortly after the end of the Victorian era). The enormous wide-brimmed ...
The study of Victorian masculinity is based on the assumption that "the construction of male consciousness must be seen as historically specific." [ 1 ] The concept of Victorian masculinity is extremely diverse, since it was influenced by numerous aspects and factors such as domesticity , economy , gender roles , imperialism , manners ...
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Goldthorpe, Caroline: From Queen to Empress: Victorian Dress 1837–1877, Metropolitan Museum of Art, New York, 1988, ISBN 0-87099-535-9 (full text available online from the Metropolitan Museum of Art Digital Collections)
Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims. For men, hose disappeared in favour of breeches.
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Goldthorpe, Caroline: From Queen to Empress: Victorian Dress 1837–1877, Metropolitan Museum of Art, New York, 1988, ISBN 0-87099-535-9 (full text available online from the Metropolitan Museum of Art Digital Collections)
3. A group scene of a girl and two boys. Boys were breeched at around 5–10. The girl wears a low neckline that was customary for young girls and boys. (1724) 4. Portrait of the young archduchess and future Empress Maria Theresa. The neckline is still lower than a woman's but is more ornamented than that of a child. (1727) 5.
Bustles and elaborate drapery characterize gowns of the early 1870s. The gentleman wears evening dress. Detail of Too Early by James Tissot, 1873.. 1870s fashion in European and European-influenced clothing is characterized by a gradual return to a narrow silhouette after the full-skirted fashions of the 1850s and 1860s.