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In March of 1820, Haydon began advertising the commercial premiere of the work to be hosted at Egyptian Hall, after failing to find a commission for the work.This exhibition was Haydon's first major endeavor as a commercial artist, and he borrowed the approach of street painters in nearby Leicester Square by selling programs with a key to understand the important portions of the work.
English: Picture of Tanner in his workshop, painting "Christ In the Temple". From the magazine article: [Note: text in public domain, published 1900] The picture upon which Mr. Tanner is now working will be the largest one he has yet painted, and is perhaps the most ambitious in many respects .
The episode of the twelve-year-old Jesus in the temple is taken from the Gospel of Luke (Lk 2.42-50), and is often depicted in Christian art, for example in cycles on the life of Mary. Liebermann had the idea for this painting when he visited the Jewish quarter of Amsterdam in 1876.
Manichaean Painting of the Buddha Jesus; Manichaean temple banner MIK III 6286; The Marriage Feast at Cana (Bosch) The Merciful Knight; The Miraculous Draft of Fishes (Witz) Modena Triptych; Mogao Christian painting; Murals from the Christian temple at Qocho
Pages in category "Paintings of the Presentation of Christ at the Temple" The following 19 pages are in this category, out of 19 total. This list may not reflect recent changes .
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
The Transfiguration of Jesus was a major theme in the East and every Eastern Orthodox monk who had trained in icon painting had to prove his craft by painting an icon of the Transfiguration. [60] However, while Western depictions increasingly aimed at realism , in Eastern icons a low regard for perspective and alterations in the size and ...
Christ in the House of His Parents (1849–50) is a painting by John Everett Millais depicting the Holy Family in Saint Joseph's carpentry workshop. The painting was extremely controversial when first exhibited, prompting many negative reviews, most notably one written by Charles Dickens .