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Johnny Carson: King of Late Night is a documentary film by two-time Emmy-winning filmmaker Peter Jones about the life of American television talk show host Johnny Carson. [1] It is narrated by Kevin Spacey, and aired on PBS on May 14, 2012, as part of their American Masters series. [2]
Frederic Remington: The Truth of Other Days is a 1991 documentary film of American Western artist Frederic Remington made for the PBS series American Masters. It was produced and directed by Tom Neff and written by Neff and Louise LeQuire. [1] Actor Gregory Peck narrated the film and Ned Beatty was the voice of Remington when reading his ...
American Masters is a PBS television series which produces biographies on enduring writers, musicians, visual and performing artists, dramatists, filmmakers, and those who have left an indelible impression on the cultural landscape of the United States.
PBS’ “American Masters” documentary series will tackle the life of actor, activist and author Marlee Matlin with the feature documentary “Marlee Matlin: Not Alone Anymore.” The film will ...
It's not easy to find all the best documentaries on a single streaming service. Whether you're in the mood for an awe-inspiring nature movie or a true crime spectacle for the ages, YouTube's ...
Woody Allen: A Documentary is a 2011 documentary television miniseries directed by Robert B. Weide about the comedian and filmmaker Woody Allen. [1] It premiered as part of the American Masters series on PBS. The film covers Allen's career as a standup comedian, sitcom writer, film director, and film auteur.
Damn right, he’s got his own doc. Buddy Guy, the blues legend whose 1991 “Damn Right, I’ve Got the Blues” firmly established him as part of the form’s upper firmament after decades of ...
Mike Nichols: American Masters is a 2016 documentary film directed by Elaine May about the life of Mike Nichols [1] broadcast on the PBS series American Masters. It is derived from a lengthy interview with Nichols conducted by producer Julian Schlossberg. Brian Lowry of Variety has called it "the last memorable Nichols-May collaboration."