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Thus Spoke Zarathustra: A Book for All and None (German: Also sprach Zarathustra: Ein Buch für Alle und Keinen), also translated as Thus Spake Zarathustra, is a work of philosophical fiction written by German philosopher Friedrich Nietzsche; it was published in four volumes between 1883 and 1885.
Also sprach Zarathustra, Op. 30 (German: [ˈalzo ʃpʁaːx t͡saʁaˈtʊstʁa] ⓘ, Thus Spoke Zarathustra or Thus Spake Zarathustra) [1] is a tone poem by German composer Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's 1883–1885 philosophical work of the same name. [2]
The last man (German: Letzter Mensch) is a term used by the philosopher Friedrich Nietzsche in Thus Spoke Zarathustra to describe the antithesis of his theorized superior being, the Übermensch, whose imminent appearance is heralded by Zarathustra. The last man is the archetypal passive nihilist
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The expression immaculate perception, used by the German philosopher Friedrich Nietzsche in his text Thus Spoke Zarathustra; the term pertains to the idea of "pure knowledge." Nietzsche argues that "immaculate perception" is fictional because it ignores the intimate connection between the perceiver and the external world. [ 1 ]
The track is named for Harry Potter's pet owl, Hedwig. Since being featured in The Philosopher's Stone soundtrack , the piece's main theme was further developed by Williams for The Chamber of Secrets and The Prisoner of Azkaban , and by Patrick Doyle , Nicholas Hooper , and Alexandre Desplat for the remaining five Harry Potter films.
First instance of the poem, within Thus Spoke Zarathustra, in German Second instance of the poem, within Thus Spoke Zarathustra, in German. Zarathustra's roundelay (German: Zarathustra's Rundgesang), [1] also called the Midnight Song (Mitternachts-Lied [2]) or Once More (German: Noch ein Mal), [3] is a poem in the book Thus Spoke Zarathustra (1883–1885) by Friedrich Nietzsche.
Thus Spoke Zarathustra: A Book for Everyone and No One (1961). Beyond Good and Evil: Prelude to a Philosophy of the Future (1973) On the Genealogy of Morals (with Walter Kaufmann) (1967) Twilight of the Idols / The Antichrist (1968) Ecce Homo: How One Becomes What One Is (1986) The Will to Power (with Walter Kaufmann) (1967) Dithyrambs of ...