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Opera Composer Aria 100 The Bohemian Girl: Balfe "I Dreamt I Dwelt in Marble Halls" 99 Parsifal: Wagner Prelude 98 The Magic Flute: Mozart "Der Vogelfänger bin ich ja" (Birdcatcher's Aria) 97 The Abduction from the Seraglio: Mozart "O, wie will ich triumphieren" (Osmin's Aria) 96 Casanova: J. Strauss II/Benatzky "O Madonna, auf uns sieh" (Nuns ...
An opera that is described by Anthony Hicks as "remarkable" [16] and by Orrey as one of Handel's "best works". [19] 1733 La serva padrona (Giovanni Battista Pergolesi). Became a model for many of the opera buffas that followed it, including those of Mozart. [21] 1733 Hippolyte et Aricie (Jean-Philippe Rameau). Rameau's first opera caused great ...
Rage arias were amongst various types of aria which were employed in 18th century opera, including the more restrained aria di sentimento, the aria di lamento (lament), and the showy aria di bravura. [2] One of the best-known examples of the genre is the Queen of the Night's "Der Hölle Rache kocht in meinem Herzen", from Die Zauberflöte. [5]
The farewell aria of Sultan Bazajet in Handel's opera Tamerlano (note the da capo instruction). First edition, London, 1719. In music, an aria (Italian:; pl.: arie, Italian:; arias in common usage; diminutive form: arietta, Italian:; pl.: ariette; in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger ...
25 April 1770 83: 73p "Se tutti i mali miei" (Score/Crit. report) Aria for soprano and orchestra: Metastasio Demofoonte, II, 6: 1770 88: 73c "Fra cento affanni e cento" (Score/Crit. report) Aria for soprano and orchestra: Metastasio, Artaserse I,2: 1770 119: 382h "Der Liebe himmlisches Gefühl" (Score/Crit. report) Aria for soprano and ...
A catalogue aria is a genre of opera aria in which the singer recounts a list of information (people, places, food, dance steps, etc.) that was popular in Italian comic opera in the latter half of the eighteenth and early nineteenth centuries.
"Ella giammai m'amò" is an aria for bass from Verdi's opera Don Carlos (1867). [1] It is one of the most famous Italian arias for bass, and is often performed in recitals and featured in anthologies for bass singers.
"E lucevan le stelle" ("And the stars were shining") is a romantic aria from the third act of Giacomo Puccini's opera Tosca from 1900, composed to an Italian libretto by Luigi Illica and Giuseppe Giacosa.