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This was a consumer, or home format based on the much larger and more expensive professional reel-to-reel tape multitrack recording systems that had been built for recording studios by 1954. [2] Professional four-track machines used either one inch or ½-inch tape at a speed of 15 or 30 inches per second (IPS) for the highest quality sound ...
The TEAC 2340, a popular early (1973) home multitrack recorder, four tracks on ¼ inch tape Korg D888 eight-track digital recorder. Multitrack recording also allows any recording artist to record multiple takes of any given section of their performance, allowing them to refine their performance to virtual perfection by making additional takes ...
Tascam Portastudio 244, 1982. The first Portastudio, the TEAC 144, was introduced on September 22, 1979 at the AES Convention in New York City. [5] The 144 combined a 4-channel mixer with pan, treble, and bass on each input with a cassette recorder capable of recording four tracks in one direction at 3¾ inches per second (double the normal cassette playback speed) in a self-contained unit ...
AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
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Strait drew 110,905 fans to Kyle Field at Texas A&M in College Station on June 15, smashing the Grateful Dead's 1977 peak.
He started with stereo, obtained a three-track machine on which he taped a Barbra Streisand concert, then in 1965 he configured the truck as a complete recording studio. In 1966 he installed a four-track machine, then moved to eight-track, and by 1971 was recording on sixteen tracks. [8] Many of Heider's recordings became hits or critical ...
Phase 4 Stereo was a recording process created by the U.K. Decca Records label in 1961. [1] The process was used on U.K. Decca recordings and also those of its American subsidiary London Records during the 1960s. Phase 4 Stereo recordings were created with an innovative 10-channel, and later 20-channel, "recording console". [2]