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The Piano Concerto in A minor, Op. 16, composed by Edvard Grieg in 1868, was the only concerto Grieg completed. It is one of his most popular works, [1] and is among the most popular of the genre. Grieg, who was only 24 years old at the time of the composition, had taken inspiration from Robert Schumann's piano concerto (Op.54), also in A minor.
The following is a sortable list of compositions by Edvard Grieg (1843–1907). [1] The works are categorized by genre, catalogue number, date of composition and titles. Catalogue numbers (Cat. No.) of compositions by Edvard Grieg include, according to the catalogue compiled by Dan Fog and the Edvard Grieg Committee: [ 2 ]
Piano Concerto (Clara Schumann) Piano Concerto (Grieg) Piano Concerto (Paderewski) Piano Concerto (Schumann) Piano Concerto (Somervell) Piano Concerto No. 1 (Kabalevsky) Piano Concerto No. 2 (Hummel) Piano Quartet (Mahler) Piano Quintet (Elgar) Piano Quintet (Enescu) Piano Quintet No. 1 (Farrenc) Piano Sonata in A minor, D 537 (Schubert)
Karoly Thern made a number of arrangements for piano duet or two pianos, including: Grieg's Piano Concerto in A minor (commenced by Grieg and added to by Thern; Thern's version was published in Leipzig in 1876 and has been recently recorded for the first time) [17] [18] [19] Beethoven's 4th Piano Concerto [20]
Grieg deeply respected his fellow musician and took no delay in producing the work. The march was originally written as a piano piece in A minor; Grieg also produced transcriptions of it for brass choir and wind band, in B ♭ minor. Grieg valued the work greatly, bringing it along on all of his travels.
Ballade in the Form of Variations on a Norwegian Folk Song in G minor, Op. 24, is a large-scale work for piano by Edvard Grieg. It is in the form of theme and variations, the theme being the Norwegian folk song Den nordlanske bondestand (The Northland Peasantry in English). [1] A performance usually lasts around 20 minutes. Theme.
Edvard Grieg composed the Cello Sonata in A minor, Op. 36 for cello and piano, and his only work for this combination, in 1882–83, [1] marking a return to composition following a period when he had been preoccupied with his conducting duties at the Bergen Symphony Orchestra as well as illness.
Following in their mother's footsteps, Teresita pursued a career as a concert pianist, and Giovanni as an opera singer. During these years she appeared with the Theodore Thomas Orchestra and Damrosch Orchestra, performing solo piano concerti, including Mendelssohn's Piano Concerto no. 1, [27] and Grieg's Piano Concerto, Op. 16. [28]