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They usually show Mary holding the infant Jesus in an informal and maternal manner. These paintings often include symbolic reference to the Passion of Christ. The "Adoring Madonna" is a type popular during the Renaissance. These images, usually small and intended for personal devotion, show Mary kneeling in adoration of the Christ Child.
Bernard receiving milk from the breast of the Virgin Mary. The scene is a legend which allegedly took place at Speyer Cathedral in 1146.. A variant, known as the Lactation of St Bernard (Lactatio Bernardi in Latin, or simply Lactatio) is based on a miracle or vision concerning St Bernard of Clairvaux where the Virgin sprinkled milk on his lips (in some versions he is awake, praying before an ...
Mary now lies recovering on a large stuffed cushion or couch ("kline" in Greek) beside the infant, who is on a raised structure, [15] whilst Joseph rests his head on his hand. [16] He is often part of a separate scene in the foreground, where Jesus is being bathed by midwives (Jesus is therefore shown twice).
A simple Italian Virgin and Child by Carlo Crivelli, c. 1470. Virgin and Child or Madonna and Child or Mary and Child usually refers to artistic depictions of Mary and Child Jesus together, as part of both Catholic and Orthodox church traditions, and very notably in the Marian art in the Catholic Church.
This depiction of Madonna and Child poses both Mary and the Infant Jesus in the center of the image, framing the gaze between Mary and her son with a blue background. The position of Mary and Child is also framed by a church-like arch supported by Composite order pillars.
In Catholic Mariology Mary is held as having been born and conceived a Saint [2] and full of Grace, [3] as a consequence of the Immaculate Conception. [4] It is also generally held [5] by Theologians that she had free will and rational thought, through infused knowledge, from "the first instant of her conception," [6] worshipping and loving God in her mother's womb and as an infant and child. [2]