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Figure from the 1804 edition of Della picture showing the vanishing point Rendition of Alberti's description of how a circle projected as an ellipse Figure showing pillars in perspective on a grid. De pictura (English: "On Painting") is a treatise or commentarii written by the Italian humanist and artist Leon Battista Alberti. The first version ...
Leon Battista Alberti (Italian: [leˈom batˈtista alˈbɛrti]; 14 February 1404 – 25 April 1472) was an Italian Renaissance humanist author, artist, architect, poet, priest, linguist, philosopher, and cryptographer; he epitomised the nature of those identified now as polymaths.
De re aedificatoria (On the Art of Building) is a classic architectural treatise written by Leon Battista Alberti between 1443 and 1452. [1] Although largely dependent on Vitruvius's De architectura, it was the first theoretical book on the subject written in the Italian Renaissance, and in 1485 it became the first printed book on architecture ...
Leon Battista Alberti, who elaborates on the ideas of Vitruvius in his treatise, De re aedificatoria, saw beauty primarily as a matter of proportion, although ornament also played a part. For Alberti, the rules of proportion were those that governed the idealized human figure, the Golden mean. The most important aspect of beauty was, therefore ...
It may be the earliest surviving comprehensive view of Venice: earlier views by Leon Battista Alberti and Jacopo Bellini are believed to be lost. [5] The British Library quotes an article by art historian Martin Kemp in 1991 in which he says it is "an achievement of astonishing visual and intellectual control". [6]
However, the painting is attributed by others to Francesco di Giorgio Martini, partly due to the latter's greater significance at the Urbino court and because the painting refers to architectural themes he refers to, derived from Leon Battista Alberti's slightly earlier published treatise, in his own architectural treatise. [4]
Palazzo Rucellai is a palatial fifteenth-century townhouse on the Via della Vigna Nuova in Florence, Italy.The Rucellai Palace is believed by most scholars to have been designed for Giovanni di Paolo Rucellai by Leon Battista Alberti between 1446 and 1451 and executed, at least in part, by Bernardo Rossellino.
The first Renaissance endeavor in Urbino was the portal of the church of San Domenico, created in 1449 in a manner similar to a Roman triumphal arch by Maso di Bartolomeo, [8] called to the city through the intercession of Fra Carnevale, an Urbino painter sent perhaps by Federico himself to the workshop of Filippo Lippi, one of the three most famous Florentine painters of the time (along with ...