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The tapestry installed behind the altar, at the north end of the nave in Coventry Cathedral. The tapestry depicts a seated Risen Christ, within an oval mandorla on a green background, surrounded by the four living creatures mentioned in Chapter 4 of the Book of Revelation, which are also symbols of the Four Evangelists.
The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382.It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.
The Tapestry of Creation or Girona Tapestry is a Romanesque panel of needlework from the 11th century, housed in the Museum of the Cathedral of Girona, Catalonia, Spain. [1] Measuring 3.65 m × 4.70 m (12.0 ft × 15.4 ft) of wool and linen, contemporary scholars are still debating its patronage and intended function in the Church.
Polonius is a character in William Shakespeare's play Hamlet. He is the chief counsellor of the play's ultimate villain, Claudius , and the father of Laertes and Ophelia . Generally regarded as wrong in every judgment he makes over the course of the play, [ 1 ] Polonius is described by William Hazlitt as a "sincere" father, but also "a busy ...
In the beginning was the Word, and the Word was with God, and the Word was God. [2] [3] [4] In principio erat verbum, Latin for In the beginning was the Word, from the Clementine Vulgate, Gospel of John, 1:1–18. In these translations, Word is used for Λόγος, although the term is often used transliterated but untranslated in theological ...
Chrysostom: "Or thus, After saying that they were born of God, who received Him, he sets forth the cause of this honour, viz. the Word being made flesh, God’s own Son was made the son of man, that he might make the sons of men the sons of God. Now when thou hearest that the Word was made flesh, be not disturbed, for He did not change His ...
Sources of light are the infant Jesus, the shepherds' fire on the hill behind, and the angel who appears to them. The West adopted many of the Byzantine iconographic elements, but preferred the stable rather than the cave, though Duccio's Byzantine-influenced Maestà version tries to have both. The midwives gradually dropped out from Western ...
The Story of Abraham is a set of ten Brussels tapestries depicting stories from the life of the biblical prophet Abraham.They appear to have been designed by Bernaert van Orley initially, but completed by Pieter Coecke van Aelst around 1537, both artists who were leading designers for the Brussels workshops.