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Massive is a commercial wavetable software synthesizer plugin manufactured by Native Instruments for use in professional audio production. It utilizes several wavetables and oscillators in the creation of synthetic timbres. The software can be used as a VST plugin within a digital audio workstation, or as a standalone program
In the same way that Miles equipped Hendrix to stay pop-relevant, Wayne's flirtation with the VST plugin du jour brought him updial from JAMN 94.5 to KISS 108." [37] Kanye West's 808s & Heartbreak was generally well received by critics, and it similarly used Auto-Tune to represent a fragmented soul, following his mother's death. [38]
This allows musicians to use 64-bit VST plugins and make use of the entire physical memory on 64-bit systems. For this purpose, OpenMPT provides its own plugin bridge, which can be used to run plugins with a different bitness than the host in a separate process, or to run plugin in a sandbox and prevent them from crashing the host application.
It is possible to emulate the unstable tuning of analogue synthesizers by setting a random source to modulate the pitch and detune of one or more oscillators, so that every time a note is played, its tuning will be very subtly different. The modulation matrix also allows for recursive modulation - setting a variable to modulate itself.
Pitch scaling is the opposite: the process of changing the pitch without affecting the speed. Pitch shift is pitch scaling implemented in an effects unit and intended for live performance. Pitch control is a simpler process which affects pitch and speed simultaneously by slowing down or speeding up a recording.
Pitch shifters are included in most audio processors today. A harmonizer is a type of pitch shifter that combines the pitch-shifted signal with the original to create a two or more note harmony. The Eventide H910 Harmonizer, [2] released in 1975, was one of the first commercially available pitch-shifters and digital multi-effects units. On ...
Ableton Live co-creator Robert Henke. Live was created by Gerhard Behles, Robert Henke and Bernd Roggendorf in the mid-1990s. [6] Behles and Henke met while studying programming at Technische Universität Berlin, and wrote software in the music programming language Max to perform techno as their band Monolake.
The Juno-106 is a polyphonic synthesizer with six voices. It is an analog synthesizer but with digitally controlled oscillators and chorus effects. [2] [3] Whereas its predecessor, the Juno-60, has 56 patches, the Juno-106 has 128.