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Clogging, buck dancing, or flatfoot dancing [1] is a type of folk dance practiced in the United States, in which the dancer's footwear is used percussively by striking the heel, the toe, or both against a floor or each other to create audible rhythms, usually to the downbeat with the heel keeping the rhythm.
Clog dancing is a form of step dance characterised by the wearing of inflexible, wooden soled clogs. Clog dancing developed into differing intricate forms both in Wales and also in the North of England. Welsh clog dancing mainly originates from various slate mines where workers would compete against each other during work breaks. [1]
Clogs are also used in several different styles of dance, where an important feature is the sound they produce against the floor. Clog dancing is one of the fundamental roots of tap dancing , but with tap shoes the taps are free to click against each other and produce a different sound from clogs.
Mr. Fagan next joined John Fenton in a dancing duet, and continued with him until 1878, when he formed a partnership with Lizzie Mulvey, which lasted one season. Fagan's specialty at that time was "clog dancing"—which was a dance performed while wearing wooden-soled shoes, a very popular form of stage entertainment in the late 19th century. [2]
Sean-nós dance has made a significant contribution to American traditional informal freeform solo folk dancing, which includes flat foot dance (or "flat-footing"), hoofing (or "hoofin'"), buck dancing, soft shoe (casual tap dancing performed in shoes without metal taps), clogging (in its older non-show form), Irish sean-nós dance, and the ...
Ira Bernstein (born 1959 in Malverne, New York) is a dancer and teacher in the United States who specializes in traditional American dance forms such as Appalachian-style clogging, flatfoot dancing, tap dance, and step dancing. He is considered an authority on clogging, and the leading figure in this dance style.
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Eccentric dance is a style of dance performance in which the moves are unconventional and individualistic. It developed as a genre in the United States in the late 19th and early 20th centuries as a result of the influence of African and exotic dancers on the traditional styles of clog and tap dancing.