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This is a list of notable Nigerian highlife musicians arranged in alphabetical order. There are several other genres of music in Nigeria these include Ikorodo , Igbo gospel , Owerri Bongo , Fuji music , Ekpili Jùjú music , Apala , Were music and Highlife .
Highlife is characterized by jazzy horns and guitars which lead the band and its use of the two-finger plucking guitar style that is typical of African music. Recently it has acquired an uptempo, synth-driven sound. [2] [3] Highlife gained popularity and the genre spread throughout West African regions.
Weston had traveled to Africa for the first time in 1961 for a series of concerts in Lagos, Nigeria, sponsored by the American Society of African Culture, and the album is inspired by the music of the African continent, in particular the highlife genre of West Africa. [3]
Afrobeat (also known as Afrofunk [3] [4]) is a West African music genre, fusing influences from Yoruba music [5] [6] and Ghanaian music (such as highlife), [7] with American funk, jazz, and soul influences.
Non-commercial African-American radio stations promoted African music as part of their cultural and political missions in the 1960s and 1970s. African music also found eager audiences at Historically Black colleges and universities (HBCUs) and appealed particularly to activists in the civil rights and Black Power movements. [26]
The All About Jazz review by Chris May called the original album "pleasant, if unspectacular, palm-wine highlife outings from the West African tradition, distinguished by some masterful drumming, but diminished by strangely inept alto saxophone contributions" but stated the bonus tracks "anticipate—with great brio and deep grooves—the ...
He is widely known for his work in highlife bands of ... Thomas is known as "The Golden Voice Of Africa". [by ... (CD) K7 Music; References External links ...
Victor Abimbola Olaiya OON, (31 December 1930 – 12 February 2020), also known as Dr Victor Olaiya, was a Nigerian trumpeter who played in the highlife style. Though famous in Nigeria during the 1950s and early 1960s, Olaiya received little recognition outside his native country.