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Highlife is characterized by jazzy horns and guitars which lead the band and its use of the two-finger plucking guitar style that is typical of African music. Recently it has acquired an uptempo, synth-driven sound. [2] [3] Highlife gained popularity and the genre spread throughout West African regions.
This is a list of notable Nigerian highlife musicians arranged in alphabetical order. There are several other genres of music in Nigeria these include Ikorodo , Igbo gospel , Owerri Bongo , Fuji music , Ekpili Jùjú music , Apala , Were music and Highlife .
Adé Bantu – Nigerian-German musician, producer, front man of the 13 piece band BANTU; Adekunle Gold – singer, songwriter; Adesua Etomi-Wellington; Adewale Ayuba – fuji music singer; Ado Gwanja – hausa singer; Afrikan Boy – rapper; Afro Candy – pop singer; Alamu Atatalo – sekere singer, a type of traditional Yoruba music
African High Life is the debut album by Nigerian drummer and percussionist Solomon Ilori, recorded in 1963 and released on the Blue Note label. [1] The album was reissued on CD in 2006 with three bonus tracks recorded at a later session.
Non-commercial African-American radio stations promoted African music as part of their cultural and political missions in the 1960s and 1970s. African music also found eager audiences at Historically Black colleges and universities (HBCUs) and appealed particularly to activists in the civil rights and Black Power movements. [26]
The people of the North are known for complex percussion instrument music, the one-stringed goje, and a strong praise song vocal tradition.Under Muslim influence since the 14th century, Hausa music uses free-rhythmic improvisation and the Pentatonic scale, similar to other Muslim Sahelian tribes throughout West Africa, such as the Bambara, Kanuri, Fulani and Songhai.
Afrobeat (also known as Afrofunk [3] [4]) is a West African music genre, fusing influences from Yoruba music [5] [6] and Ghanaian music (such as highlife), [7] with American funk, jazz, and soul influences.
Osibisa was the most successful and longest lived of the African-heritage bands in London, alongside such contemporaries as Assagai, Chris McGregor's Brotherhood of Breath, Demon Fuzz, Black Velvet, and Noir, and was largely responsible for the establishment of world music and Afro rock as a marketable genre.