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Di Bawah Lindungan Ka'bah (Under the Protection of Ka'bah) is the 1938 debut novel of the Indonesian author Haji Abdul Malik Karim Amrullah (1908–1981). Written while the author worked in Medan as the editor of an Islamic weekly magazine, the novel follows the doomed romance of a young Minang couple from different social backgrounds.
Di sana tempat lahir beta Dibuai, dibesarkan bunda Tempat berlindung di hari tua Tempat akhir menutup mata Second verse: Sungguh indah tanah air beta Tiada bandingnya di dunia Karya indah Tuhan Maha Kuasa Bagi bangsa yang memujanya Reff: Indonesia ibu pertiwi Kau kupuja, kau kukasihi Tenagaku bahkan pun jiwaku Kepadamu rela kuberi
Translation Abbrev. Year John 3:16 [6]; Kitab Suci Terjemahan Dunia Baru, Edisi 2017 (New World Translation of the Holy Scriptures, 2017 edition): NWT: 2017: Allah begitu mengasihi dunia ini sehingga Dia memberikan Putra tunggal-Nya, supaya setiap orang yang beriman kepadanya tidak dibinasakan tapi mendapat kehidupan abadi.
Saiedi, Nader (2000). "Chapter 7: The Kitab-i-Aqdas: Date and Constitutive Principles". Logos and Civilization - Spirit, History, and Order in the Writings of Baháʼu'lláh. USA: University Press of Maryland and Association for Baha'i Studies. pp. 213– 293. ISBN 1883053609. OL 8685020M.
"Lies" (Korean: 거짓말; RR: Geojitmal) is a song recorded by the South Korean boy group BigBang. The song was written and composed by rapper G-Dragon.It was released on August 16, 2007, by YG Entertainment as the first single from BigBang's first extended play Always (2007).
Mori Bawah is classified as a member of the Bungku-Tolaki group of languages, and shares its closest affinities with Bungku and other languages of the eastern seaboard of Sulawesi, such as Wawonii and Kulisusu. [2] Together, Mori Bawah and the Mori Atas language are sometimes referred to collectively by the cover term Mori.
"Kumang Seari" is a song by Iban rock band Masterpiece. It was written by Depha, produced by Masterjam Studio, and included on their second studio album Rock & Roll and later releases were handled by Panggau Buluh Pengerindu Records.