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"Freiheit", also known as "Spaniens Himmel" or "Die Thälmann-Kolonne", is a song written in 1936 by Gudrun Kabisch and Paul Dessau, German anti-fascists. The song was written for the International Brigades but later became a popular standard in Germany and in American communist and folk music communities. The title translates as "Freedom" in ...
Nazi leaders can be seen singing the song at the finale of Leni Riefenstahl's 1935 film Triumph of the Will. Hitler also mandated the tempo at which the song had to be played. [ 18 ] After Hitler's public speeches, he would exit during the playing of both the national anthem and then the Horst Wessel Song.
An example of this is the fascist song Brüder in Zechen und Gruben ("Brothers in mines and pits"), which copied the melody of the communist Brüder, zur Sonne, zur Freiheit ("Brothers, to the sun, to freedom"), whose melody, in turn, belonged to the march Смело, товарищи, в ногу/Smelo, tovarishchi, v nogu ("Comrades, let's ...
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For great freedom's sake. — Refrain: — Hey F.P.O.! We are here! — Bold, daring, and ready for battle. — This very day the partisans will defeat the fiend, — In the struggle for workers' power. The limbs are strong. Muscles of steel and lead, We are leaving the ghetto today In order to bring you freedom tomorrow. — Refrain
Some anti-war songs lament aspects of wars, while others patronize war.Most promote peace in some form, while others sing out against specific armed conflicts. Still others depict the physical and psychological destruction that warfare causes to soldiers, innocent civilians, and humanity as a whole.
Pardun's song was one of the most famous mass songs of the Nazi era; in the 1930s, it was mainly used as an SA marching song. It was also a compulsory song for the Reichsarbeitsdienst . During World War II , it was used as a military song – not least because it was included in the soldier's song book Morgen marschieren wir (Tomorrow we march).
Skrewdriver was instrumental in setting up Blood & Honour, a neo-Nazi music promotion network. Their song Smash the IRA became popular amongst Loyalists in Northern Ireland. It was one of a number of Skrewdriver songs covered by a Belfast band called Offensive Weapon, who also covered songs by Black artists such as Chuck Berry. [18]