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In Chinese poetry, a duilian (simplified Chinese: 对 联; traditional Chinese: 對 聯; pinyin: duìlián ⓘ) is a pair of lines of poetry which adhere to certain rules (see below). Outside of poems, they are usually seen on the sides of doors leading to people's homes or as hanging scrolls in an interior.
A boy named Tikki Tikki Tembo-no Sa Rembo-chari Bari Ruchi-pip Peri Pembo ("The Most Wonderful Thing in the Whole Wide World") and his little brother Chang ("Little or Nothing") are playing very close to a well at their house that their mother has warned them to avoid. Chang falls in the well and his older brother runs to their mother and tells ...
The earliest extant anthologies are the Shi Jing (詩經) and Chu Ci (楚辭). [2] Both of these have had a great impact on the subsequent poetic tradition. Earlier examples of ancient Chinese poetry may have been lost because of the vicissitudes of history, such as the burning of books and burying of scholars (焚書坑儒) by Qin Shi Huang, although one of the targets of this last event was ...
The Seven Steps Verse, also known as the Quatrain of Seven Steps (traditional Chinese: 七步詩; simplified Chinese: 七步诗; pinyin: Qī Bù Shī; Cantonese Jyutping: Cat 1 Bou 6 Si 1), is a highly allegorical poem that is usually attributed to the poet Cao Zhi.
In the Imperial China of the Qing dynasty, there are five brothers who "all looked exactly alike."They each possess a special talent: the first brother can swallow the sea, the second has an unbreakable iron neck, the third can stretch his legs to incredible lengths, the fourth is immune to burning, and the fifth can hold his breath forever.
Coming to the body of the vase, the largest surface area depicts a celebration of the style and material culture of Chinese Literati. [3] Literati culture was significant in the Ming Dynasty as images of the natural hierarchy became metaphors for China at that period of time. [2] New class scholar officials depicted an increasing number of ...
In the many published editions of the poetry anthology Three Hundred Tang Poems, the number of his poems ranks below only Du Fu, Li Bai, and Wang Wei. Li's poetry is distinguished from mainstream Classical Chinese poetry by his extensive use of love as a major theme as well as the unconventional decision to leave many collected verses untitled ...
Summons of the Soul, Summoning of the Soul, or Zhao Hun (Chinese: 招魂, or, with old variant 招䰟; Pinyin: Zhāo Hún) is one of the poems anthologized in the ancient Chinese poetry collection, the Chu Ci. The "Summons of the Soul" consists of a four-part poem.