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Ramírez-Pimienta, Juan Carlos. "El tema de la traición en tres corridos de narcotráfico y narcotraficantes: 'Carga Blanca','Contrabando y traición' y 'Chuy y Mauricio.' Hispanic Journal. XXXII.2 (Fall 2015): 161-177. Ramírez-Pimienta, Juan Carlos."El Pablote: una nueva mirada al primer corrido dedicado a un traficante de drogas ...
Herencia Musical: 20 Corridos Inolvidables (Eng.: 20 Unforgettable Corridos) is the title of a compilation album released by Regional Mexican band Los Tigres del Norte. This album became their fourth number-one hit on the Billboard Top Latin Albums chart.
This is a list of the songs that reached number one in Mexico in 1994, according to the Notitas Musicales magazine with data provided by Radio Mil [1] (which also provided charts for Billboard's "Hits of the World" between 1969 and 1981). [2]
Grupo Exterminador started in 1992. The band's debut album, Dos Plebes II, was released by EGO Records in 1994.Their biggest chart hit was when their album Nuestras Romanticas reached no.9 on the Billboard charts in 2007, [2] and as of December 2023 their song "El Padre De Todos" has over 32.2 million views on YouTube.
Rosalino "Chalino" Sánchez Félix (30 August 1960 – 16 May 1992) was a Mexican singer-songwriter.Posthumously called "King of The Corrido" (from Spanish: El Rey del Corrido), Sánchez is considered one of the most influential Mexican narcocorrido singers of the late 20th century.
These are the lists of the top 100 songs of 2018 in Mexico according to Monitor Latino. [1] Monitor Latino issued two year-end General charts: one which ranked the songs by their number of Spins (Tocadas) on the Mexican radio, and the other ranked the songs by their estimated audience.
Corridos tumbados (Spanish pronunciation: [koˈriðos tumˈbaðos]), also known as trap corridos, is a subgenre of regional Mexican music, specifically of a corrido, with musical elements of a narcocorrido and rap music. [1] Its style originated in the late-2010s; starting in 2020, it was popularized by Mexican musician Natanael Cano.
The following year-end charts were elaborated by Mejía Barquera, based on weekly charts that were published on the magazine Selecciones musicales as compiled on Roberto Ayala's 1962 book "Musicosas: manual del comentarista de radio y televisión"; those charts were, according to Ayala, based on record sales, jukebox plays, radio and television airplay, and sheet music sales [a]. [6]