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The Sakuteiki was written in a time during which the placing of stones was the most important part of gardening, and it literally defined the art of garden making, using the expression ishi wo tateru koto (石を立てること, literally, "the act of standing up stones") to mean not only stone placement but garden making itself. It advises the ...
Japanese gardens are designed to be seen from the outside, as in the Japanese rock garden or zen garden; or from a path winding through the garden. Use of rocks: in a Chinese garden, particularly in the Ming dynasty , scholar's rocks were selected for their extraordinary shapes or resemblance to animals or mountains, and used for dramatic effect.
' water koto cavern ') is a type of Japanese garden ornament and music device. It consists of an upside down buried pot with a hole at the top. Water drips through the hole at the top onto a small pool of water inside of the pot, creating a pleasant splashing sound that rings inside of the pot similar to a bell or Japanese zither.
Other spellings of tsubo-niwa translate to "container garden", and a tsubo-niwa may differ in size from the tsubo unit of measurement. [1] A number of different terms exist to describe the function of townhouse gardens. Courtyard gardens of all sizes are referred to as naka-niwa, "inner gardens"; [3] gardens referred to as tōri-niwa (通り庭 ...
A shishi-odoshi breaks the quietness of a Japanese garden with the sound of a bamboo rocker arm hitting a rock.. Shishi-odoshi (literally, "deer-frightening" or "boar-frightening"), in a wide sense, refers to Japanese devices made to frighten away animals that pose a threat to agriculture, including kakashi (), naruko (clappers) and sōzu.
The work is primarily focused on architectural features, rather than natural features. Contrasts have been drawn between this and other classic works of East Asian garden design, such as Sakuteiki (of the Japanese Heian period) which concentrates on water and rocks, and numerous Japanese works of the Edo period (Tsukiyama teizoden, Sagaryuniwa kohohiden no koto, Tsukiyama sansuiden), to ...
Moss garden at Tōfuku-ji (1939). Mirei Shigemori was a garden designer who actively participated in many areas of Japanese art and design. Shigemori was born in Kayō, Jōbō District, Okayama Prefecture, and in his youth was exposed to lessons in traditional tea ceremony and flower arrangement, as well as landscape ink and wash painting.
Daisugi (台杉) is a Japanese technique related to pollarding, used on Cryptomeria (sugi) trees. [1] [2] [3] The term roughly translates to "platform cedar". [4] When applied in a silviculture context, the daisugi method requires trunks to be pruned every 2–4 years in order to maintain the straight, clear grain that they are coveted for. [5] [6]