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Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
How the Other Half-Lives was only one book in Riis' bibliography highlighting the conditions in the slums of New York. Some of his other works that highlighted more in depth views into slum life were The Children of the Poor, Children of the Tenements, The Battle with the Slums, and Out of Mulberry Street. [16]
The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. [1]
The book was heavily edited by Dantas, and some critics suspected it a fraud; but the original manuscript was preserved and reprinted in full in 1999, proving not only that de Jesus wrote the book herself, but that she was a much livelier and more poetic writer than Dantas' edition seemed to suggest. Additionally, we know that while de Jesus ...
Archives naturally become a part of resistance literature because they reaffirm a person, people's, or events place in history [31] and combats the narrative that only what is immediately documented, available, or institutionally produced is true. They've become a pivotal resource in keeping the memory of marginalized communities alive and are ...
A protester holds up a large black power raised fist in the middle of the crowd that gathered at Columbus Circle in New York City for a Black Lives Matter Protest spurred by the death of George Floyd.
The Chartist movement was a working-class political reformist movement that sought universal male suffrage and other parliamentary reforms. Chartism failed as a parliamentary movement; however, five of the "Six Points" of Chartism would become a reality within a century of the group's formation.
Additionally, the circumstances in which a person finds oneself will dominate one's behavior, depriving the individual of personal responsibility. [7] Although Stephen Crane denied any influence by Émile Zola, [6] the creator of Naturalism, examples in his novella, Maggie: A Girl of the Streets, indicate that he was inspired by French naturalism.