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In a BBC radio documentary about “Dirty Old Town”, Professor Ben Harker (author of Class Act: The Cultural and Political Life of Ewan MacColl, 2007, Pluto Press) explains that although MacColl later claimed the song was written as an interlude "to cover an awkward scene change", studying the script of the play Landscape with Chimneys ...
The Pogues are an English or Anglo-Irish [a] Celtic punk band founded in King's Cross, London, in 1982, [1] by Shane MacGowan, Spider Stacy and Jem Finer. [2] Originally named Pogue Mahone—an anglicisation by James Joyce of the Irish phrase póg mo thóin, meaning "kiss my arse"—the band fused Irish traditional music with punk rock influences.
The remastered disc added six bonus tracks, including the entirety of the Poguetry in Motion EP and the B-sides to "Dirty Old Town" – "A Pistol for Paddy Garcia" on seven-inch and "The Parting Glass" on twelve-inch singles. The reissue included liner notes by David Quantick and a poem about the Pogues by Tom Waits. [21]
The Pogues, “Dirty Old Town” (1985) As modern-day interpreters of socially-minded British folk and folklore, the Pogues had no rival. What’s most fascinating about their country-esque cover ...
The Pogues performing in Munich in 2011. From left to right: Philip Chevron, James Fearnley, Andrew Ranken, Shane MacGowan, Darryl Hunt, Spider Stacy and Jem Finer. The Anglo-Irish Celtic punk band the Pogues have recorded songs for seven studio albums as well as one extended play (EP), twenty singles, and various other projects.
Woods was once a member of the band Steeleye Span. [1]As a member of the Pogues, he was known for playing instruments including the mandolin and the concertina. [1] [2] He wrote and sang the vocals for the first section of their song "Streets of Sorrow/Birmingham Six", with vocalist Shane MacGowan writing and singing the second section.
The Very Best of the Pogues is a greatest hits album by The Pogues, ... Track listing. Dirty Old Town" (Ewan MacColl) "The Irish Rover" (featuring The Dubliners) ...
MacGowan drew upon his Irish heritage when founding the Pogues and changed his early punk style for a more traditional sound with tutoring from his extended family. Many of his songs were influenced by Irish nationalism, Irish history, the experiences of the Irish diaspora (particularly in England and the United States), and London life in general. [18]