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tapping the face of the guitar with the second and/or third finger while playing granaína form of Fandango in free rhythm that in many ways stands apart, from Granada guajira an ida y vuelta song; now meaning "girl", word from Yucateca, a native language of Cuba guasa joking in bad taste, rustic trickiness [4] guitarrero guitar builder
One or "a" (indefinite article), as exemplified in the following entries un poco or un peu (Fr.) A little una corda One string (i.e., in piano music, depressing the soft pedal, which alters and reduces the volume of the sound). For most notes in modern pianos, this results in the hammer striking two strings rather than three.
The first finger is an ambiguous term in the English language due to two competing finger numbering systems that can be used. It might refer to either the thumb or the index finger, depending on the context. The second finger is another ambiguous term in English. It might refer to either the index finger or the middle finger, also dependent on ...
One brush effect is "stirring" on the snare, which creates a sustained sound for ballads. bubbles. A term most used within reggae music to describe an electronic or Hammond organ part of short duration (usually an eighth-note in length) typically played on the second and fourth beats of a 4/4 progression.
The song was initially composed in C, but was played in F on Rubber Soul (with a capo on the fifth fret). The verse opens with an F major chord ("Michelle" – melody note C) then the second chord (on "ma belle" – melody note D ♭) is a B ♭ 7 ♯ 9 (on the original demo in C, the second chord is a F 7 ♯ 9).
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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
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