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Fantasy cartography, fictional map-making, or geofiction is a type of map design that visually presents an imaginary world or concept, or represents a real-world geography in a fantastic style. [1] Fantasy cartography usually manifests from worldbuilding and often corresponds to narratives within the fantasy and science fiction genres.
OpenGeofiction (abbreviated OGF) is an online collaborative mapping project focused on fantasy cartography and worldbuilding of a world analogous to Earth. It uses OpenStreetMap software and processes in a separate environment, providing an outlet for artistic expression that avoids interfering with OpenStreetMap's mapping of the real world and potentially mitigates the risk of vandalism there.
In the September 1994 edition of Dragon (Issue 209), Lester W. Smith found Campaign Cartographer almost too good, and the 334-page manual almost too much, saying "For those who like to invest multiple hours into creating detailed maps for their campaigns, and who have the hardware to take advantage of the program, the Campaign Cartographer software allows them to create, store, modify, and ...
Abraham Bradley's U.S. postal route map of 1804 Moule's map of the hundreds of Monmouthshire, c. 1831 A 1912 map of the Russian Empire by Yuly Shokalsky. Robert Aitken of Beith. born c. 1786; Carlo de Candia (1803–1862), Italian cartographer, created the large maritime map of Sardinia in 1: 250,000 scale, travel version.
Most of these conventions are supported by active groups of map makers, and have been created and improved through long and serious discussions. The main intentions are: to display efficiently selected data; to create screen, web, print, creation & share friendly maps; to create a wiki style free of nationalism issues.
J. R. R. Tolkien's design for his son Christopher's contour map on graph paper with handwritten annotations, of parts of Gondor and Mordor and the route taken by the Hobbits with the One Ring, and dates along that route, for an enlarged map in The Return of the King [5] Detail of finished contour map by Christopher Tolkien, drawn from his father's graph paper design.
Baynes's poster map helped to make the capital letter-only Uncial script the standard for Middle-earth maps. [3] Many later fantasy maps were influenced in style by the maps of Middle-earth. [3] In 1971, Baynes created another map for Allen and Unwin, entitled There and Back Again: A Map of Bilbo's Journey Through Eriador and Rhovanion.
A map of the fictional kingdom of Aredia, which is used in a Medieval role-playing game. Construction of a fictional map is often one of the first tasks of worldbuilding. Maps can lay out a world's basic terrain features and significant civilizations present. A clear, concise map that displays the locations of key points in the story can be a ...