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Paus' Hate Songs was published in 2014, and was included on Tora Augestad's and the Oslo Philharmonic's album Portraying Passion: Works by Weill/Paus/Ives (2018) with works by Paus, Kurt Weill and Charles Ives; it has received critical acclaim [1] [2] [3] and was awarded the Spellemannprisen (Norwegian Grammy Award) for 2018 in the Classical ...
A mezzo-soprano (Italian: [ˌmɛddzosoˈpraːno], lit. ' half soprano '), or mezzo (English: / ˈ m ɛ t s oʊ / MET-soh), is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e.
Dominick Argento, photographed by King Elder in 2016. Joseph Stevenson reviewed the album in Classics Today.In 1983, he wrote, the English conductor Neville Marriner had urged the Minnesota Orchestra to commission Dominick Argento to compose a song cycle for the operatic mezzo-soprano Frederica von Stade.
Recitative and aria for soprano and orchestra: Metastasio, Artaserse II,11: 1766, or Count Firmian's audition party, Milan, 12 March 1770 deest KV 9 646 "Cara, se le mie pene" (Score/Crit. report) Aria for soprano and orchestra: unknown: 1769 82: 73o "Se ardire, e speranza" (Score/Crit. report) Aria for soprano and orchestra: Metastasio ...
The mezzo-soprano is the middle female voice and the most common of the female singing voices, which tends to dominate in non-classical music, with vocal range that typically lies between the A below "middle C" (C 4) to the A two octaves above (i.e. A 3 –A 5).
Eleven Songs for Susan (2007), for mezzo-soprano & chamber orchestra; Three Poems of Edna St. Vincent Millay (2007), for voice & piano; Songs Old and New (2008), for soprano & orchestra; Four Sonnets of Shakespeare (2008), for tenor & piano; Sonnet 144 (Two Loves I Have) (2010), for soprano, mezzo-soprano, & piano
Gabriel Fauré: Mélodies is a 54-minute studio album of eighteen of Fauré's art songs performed by the mezzo-soprano Frederica von Stade with piano accompaniment by Jean-Philippe Collard. [1] It was released in 1983.
The album made her the fastest-selling mezzo-soprano to date [1] she became the first British classical crossover artist to have two number one albums in the same year. [2] Her second album, Second Nature, reached number 16 in the UK later on in 2004.