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The mezzo-soprano is the middle female voice and the most common of the female singing voices, which tends to dominate in non-classical music, with vocal range that typically lies between the A below "middle C" (C 4) to the A two octaves above (i.e. A 3 –A 5).
For mezzo-soprano, cello and piano; also for mezzo-soprano, cello and orchestra: Three symphonic songs based on poetry by the late Laura Morefield (1961–2011). Commissioned for mezzo-soprano Jamie Barton and cellist Anne Martindale Williams by Carnegie Hall and the Pittsburgh Symphony. Orchestral: 2001 "Cut Time" Variations: For piano and ...
Prayer, Op. 32, for tenor, women's choir and organ (1941) Tomorrow , Op. 33, tone poem for mezzo-soprano, women's choir and orchestra, from the movie The Constant Nymph (1944) Chamber music
1.4.6 Part songs for female ensemble and piano. 2 Lieder. Toggle Lieder subsection. ... D 725, Duet "Linde Weste wehen" for mezzo-soprano, tenor and piano (1821 ...
A mezzo-soprano (Italian: [ˌmɛddzosoˈpraːno], lit. ' half soprano '), or mezzo (English: / ˈ m ɛ t s oʊ / MET-soh), is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e.
In 2003 he composed a first cycle of songs based on late poems by Friedrich Hölderlin. In 2016, he set nursery rhymes, excerpts from James Joyce, and texts by Shakespeare. In 2017, he wrote settings of poems by Irish female writers, and in 2022 a cycle of Buddhist texts for mezzo-soprano, cello and piano.
Italian operatic mezzo-soprano Kingdom of Italy: 1821 1896 Genoa: Milan: Q459652: Mathilde Marchesi: German mezzo-soprano and singing teacher Kingdom of Prussia: 1821-03-24 1826-03-28 1913-11-17 1913-06-18 1913-11-18 Frankfurt: London: Q437075: Pauline Viardot: French mezzo-soprano and composer France: 1821-07-18 1910-05-18 Paris: 7th ...
Eleven Songs for Susan (2007), for mezzo-soprano & chamber orchestra; Three Poems of Edna St. Vincent Millay (2007), for voice & piano; Songs Old and New (2008), for soprano & orchestra; Four Sonnets of Shakespeare (2008), for tenor & piano; Sonnet 144 (Two Loves I Have) (2010), for soprano, mezzo-soprano, & piano