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One block was used for each colour of the final fabric, The block was inked by placing into a vat of colorant, and then carefully placed onto the fabric on the table in front of the craftsman. He pounded it with a mallet to impress the colour, then he lifted the block carefully, moved the fabric, re-inked the block, and printed the next section ...
Among the Kuba it is the men who do the weaving, and the women do the embroidery and applique' work to their textiles. An embroidered raffia cloth from the collection of the Brooklyn Museum Kuba textiles are a type of raffia cloth unique to the Democratic Republic of the Congo , formerly Zaire , and noted for their elaboration and complexity of ...
Chiffon is a lightweight fabric which is associated with elegance and luxury; [4] it drapes well and has a shimmery and sheer appearance. [1] [4] Under a magnifying glass, chiffon resembles a fine net or mesh, which gives it some transparency. Chiffon can be produced out of natural or synthetic fibres. [1]
Embroidery is traditionally performed by hand, applying myriad stitches of thread to construct designs and patterns on the textile surface. Similar to printed textile design, embroidery affords the designer artistic and aesthetic control. Typical stitches include but are not limited to the cross stitch, the chain stitch, and couching.
The designs woven into brocade fabrics were often Persian in origin. It was also common to see Christian subjects depicted in the complex weaves of the fabric. When these luxurious fabrics were made into clothing or wall hangings, they were at times adorned with precious and semiprecious stones, small medallions of enamel, embroidery and ...
Worn out clothes were pieced together to make new garments by using simple running stitches. These clothes increased their strength with this durable embroidery. By the Meiji period (1868–1912), sashiko had been established enough that it had evolved into winter work in northern farming communities, when it was too cold to work outside. [3]