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Navajo weavings became popular among Euro-Americans in the late 19th century and early 20th century. In many homes the Navajo rugs were the focal point of the room, the colors and design of the rug helped to establish the color scheme of the room and allow for other decorations to be introduced.
History of the Navajo Rug, by Navajo Rug Repair Co. Towards an Understanding of Navajo Aesthetics, Kathy M’Closkey Archived 2013-04-05 at the Wayback Machine; Navajo Weaving at the Arizona State Museum: 19th Century Blankets, 20th Century Rugs, 21st Century Views – an illustrated history, with comments from Navajo weavers and museum curators
Moore had considerable influence in the development of Navajo rugs as a form of art. Both the Two Gray Hills and the Crystal styles of rug evolved from Moore's designs. [16] Until the 1930s the Crystal rugs were bordered, with a central design woven in natural colors, sometimes with some red.
The history of rugs in America is extensive; however, today hooked rugs and Navajo rugs are synonymous with American rug design. Settlers who were working with limited resources developed hooked rugs in the 17th century. The rugs continued to be popular through the 19th century.
Navajo rugs are woven by Navajo women today from Navajo-Churro sheep, other breeds of sheep, or commercial wool. Designs can be pictorial or abstract, based on historic Navajo, Spanish, Asian, or Persian designs. 20th century Navajo weavers include Clara Sherman and Hosteen Klah, who co-founded the Wheelwright Museum of the American Indian.
Rug hooking is both an art and a craft where rugs are made by pulling loops of yarn or fabric through a stiff woven base such as burlap, linen, or rug warp. The loops are pulled through the backing material by using a crochet -type hook mounted in a handle (usually wood) for leverage.