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"Phat Planet" is a song by the English electronic group Leftfield, taken from their album Rhythm and Stealth, released in 1999. It is built on an insistent, two-note bassline , and the heavily distorted vocal of "Phat Planet", spoken by Neil Barnes.
Gary Kellgren (April 7, 1939 – July 20, 1977) was an American audio engineer and co-founder of The Record Plant recording studios, along with businessman Chris Stone.
The album featured the song "Phat Planet" which featured on Guinness' 1999 advert, Surfer, [7] and "6/8 War" featured on the Volkswagen Lupo Advert 'Demon Baby'. The track "Double Flash" featured in the PlayStation software game Music 2000. Leftfield split in 2002, with both Barnes and Daley planning to work on separate solo projects.
It is a recording of 7 July 2001 performance on Brighton Beach, England. It reached number 19 on the UK Compilation Chart. [5] ... "Phat Planet (Album Version)"
The opening track of Myths of the Near Future, "Two Receivers", recalls "A View to a Kill" (1985) by Duran Duran and "Phat Planet" (1999) by Leftfield, setting the tone for the remainder of the album. [24] [22] "Atlantis to Interzone" starts with the sound of woman vocalizing over sirens, and features monk chanting during its chorus sections. [24]
The Record Plant was a recording studio established in New York City in 1968 and last operating in Los Angeles, California.Known for innovations in the recording artists' workspace, it produced highly influential albums, including the New York Dolls' New York Dolls, Bruce Springsteen's Born To Run, Blondie's Parallel Lines, Metallica's Load and Reload, the Eagles' Hotel California, Fleetwood ...
Sound City Studios is a recording studio in Los Angeles, California, United States, known as one of the most successful in popular music. The complex opened in 1969 in the Van Nuys neighborhood of Los Angeles. The facility had previously been a production factory of the English musical instrument manufacturer Vox. Throughout the late twentieth ...
The album is recognized as the recording that introduced the sub-genre of drum and bass known today as neurofunk and Optical, as the more technical musician in the duo, is considered by the wider music production community to be one of the genre's original sonic architects. [24]