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Different colors, defined above, differentiate individual listings from districts, National Historic Landmarks, and delisted sites. ... Columbus Near East Side ...
Scottish renaissance painted ceilings are decorated ceilings in Scottish houses and castles built between 1540 and 1640. This is a distinctive national style, though there is common ground with similar work elsewhere, especially in France , Spain and Scandinavia . [ 1 ]
This contrast against neutral walls adds instant elegance," says Storms, who reaches for the classic Benjamin Moore Black 2132-10. Storms recommends that when painting a door black, leave the trim ...
It was considered an architectural ornament for Columbus, and featured a 150-ft.-tall tower. The site was purchased in 1859 and construction was underway from 1860 to 1861, with a cost of $23,400. The school opened in the following fall term. It was originally able to house 300 students, increased as expansions opened in following years. [2]
A medallion is a round or oval ornament [1] that frames a sculptural or pictorial decoration in any context, but typically a façade, an interior, a monument, or a piece of furniture or equipment. Ancient Roman round versions are called an imago clipeata, from the clipeus or Roman round shield.
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
Architectural ornaments — decorative architectural elements The main article for this category is Ornament (architecture) . See also: Architectural sculpture , Classical orders , and classical architecture
Pressed tin ceiling over a store entrance in Bellingham, Washington, U.S.A.. A tin ceiling is an architectural element, consisting of a ceiling finished with tinplate with designs pressed into them, that was very popular in Victorian buildings in North America in the late 19th and early 20th century. [1]