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Painting of Assam, the art of manuscript painting in the Assam region developed through the movement of Vaishnavism. Vaishnava saints were primarily responsible for the establishment of manuscript painting tradition in Assam. A large number of manuscript paintings were done and copied during the 16th to 19th centuries.
The repeated images show the possible use of models with the artist changing the paint colors in order to represent another group of people or scene taking place. The integration of text and image was important within this manuscript in order to illustrate the Byzantine history effectively by highlighting key events.
The Court of Kayumars Attributed to Aqa Mirak, Faridun disguised as a dragon tests his sons. The Shahnameh of Shah Tahmasp (Persian: شاهنامه شاهطهماسب) or Houghton Shahnameh is one of the most famous illustrated manuscripts of the Shahnameh, the national epic of Greater Iran, and a high point in the art of the Persian miniature.
Indian Painting, by Douglas E. Barrett, Basil Gray. Published by Skira, 1978. ISBN 0-8478-0160-8. Kossak, Steven. (1997). Indian court painting, 16th–19th century. Metropolitan Museum of Art. ISBN 0-87099-783-1; Stella Kramrisch (1954). The Art of India: Traditions of Indian Sculpture, Painting, and Architecture. Phaidon Publishers. ISBN ...
Miniature of Sinon and the Trojan Horse, from the Vergilius Romanus, a manuscript of Virgil's Aeneid, early 5th century. A miniature (from the Latin verb miniare 'to colour with minium', a red lead [1]) is a small illustration used to decorate an ancient or medieval illuminated manuscript; the simple illustrations of the early codices having been miniated or delineated with that pigment.
18th-century Arabic manuscripts. In Anglo-Saxon England, manuscript culture seems to have begun around the 10th century. [2] This is not to say however, that manuscripts and the recording of information was not important prior to the 10th century, but that during the 10th century, historians see an influx and heavier weight placed on these manuscripts.
Ottoman miniature (Turkish: Osmanlı minyatürü) is a style of illustration found in Ottoman manuscripts, often depicting portraits or historic events.Its unique style was developed from multiple cultural influences, such as the Persian Miniature art, as well as Byzantine and Mongol art.
The Hours of Catherine of Cleves (Morgan Library and Museum, now divided in two parts, M. 917 and M. 945, the latter sometimes called the Guennol Hours or, less commonly, the Arenberg Hours) is an ornately illuminated manuscript in the Gothic art style, produced in about 1440 by the anonymous Dutch artist known as the Master of Catherine of Cleves.