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Spode is an English brand of pottery and homewares produced in Stoke-on-Trent, England.Spode was founded by Josiah Spode (1733–1797) in 1770, and was responsible for perfecting two important techniques that were crucial to the worldwide success of the English pottery industry in the 19th century: transfer printing on earthenware and bone china.
The Spode Museum is based in Stoke-on-Trent, England, where Josiah Spode, known for his role in the Industrial Revolution, established his pottery business in 1774. The Spode Museum collection includes a ceramics collection representing 200 years of Spode manufacture, ranging from spectacular pieces made for Royalty, the Great Exhibitions and the very rich to simple domestic wares.
Josiah Spode was born in Lane Delph, Fenton, Staffordshire.Spode was a pauper's son and also a pauper's orphan at the age of six. In 1745 his elder sister Ann married Ambrose Gallimore, [1] who in 1754 obtained the lease of the Caughley porcelain factory near Broseley.
The purchase did not include the manufacturing facilities of Royal Worcester or Spode. The manufacture of much of Spode's ware was returned to Britain from the Far East, to the Portmeirion Group's factory in Stoke-on-Trent. [9] In 2019, the Victoria and Albert Museum mounted an exhibition of Portmeirion pottery. [10]
Davis Collamore & Co. was a high-end New York City importer of porcelain and glass, headed by Davis Collamore (7 October 1820 — 13 August 1887 [1]).The firm, rivals to Tiffany & Co. and Black, Starr & Frost, commissioned designs from Copeland Spode and Thomas Minton Sons, that featured hand-painted details over transfer-printed outlines and often rich gilding.
It was probably for Spode that the English Willow pattern was created and first produced perhaps around 1790, because it incorporates particular, distinctive features of earlier Chinese willow scenes which were already known and imitated at the Spode factory. [5] The Willow pattern is commonly presented in a circular or ovate frame.