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Eljer Co. Highest Quality Two-Fired Vitreous China Catalogue 1918 Bedfordshire No. 700. Marcel Duchamp had arrived in the United States less than two years prior to the creation of Fountain and had become involved with Francis Picabia, Man Ray, and Beatrice Wood (amongst others) in the creation of an anti-rational, anti-art, proto-Dada cultural movement in New York City.
An antidote to what Duchamp called "retinal art", In Advance of the Broken Arm was the second of a series of sculptures that he named "ready-mades", the most famous of which is his 1917 Fountain. At the time, the term "ready-made" referred to manufactured goods as opposed to handmade goods, but Duchamp used the term to describe "an ordinary ...
Photograph of Marcel Duchamp's "Fountain". A paradigmatic example of found-art. File usage. The following 14 pages use this file: 1910s; 1917 in art;
Duchamp drew the goatee in black ink with a fountain pen, and wrote "Moustache par Picabia / barbiche par Marcel Duchamp / avril 1942". [ 1 ] As was the case with a number of his readymades, Duchamp made multiple versions of L.H.O.O.Q. of differing sizes and in different media throughout his career, one of which, an unmodified black and white ...
Object history: This photography have a B&W reproduction in The Blind Man, n° 2, page 4.Editors: Henri-Pierre Roche, Beatrice Wood, and Marcel Duchamp. Published in New York, May 1917
Quite the process! Friends wouldn’t be Friends without that iconic opening scene in front of the fountain. However, it wasn’t originally there at all. “We tried a few different things with ...
Marcel Duchamp, photograph published in Les Peintres Cubistes, 1913. This is an incomplete list of works by the French artist Marcel Duchamp (28 July 1887 – 2 October 1968), painter, sculptor, chess player, and writer whose work is associated with Cubism, conceptual art, and Dada.
Entr'acte is a silent French Dada short film directed by René Clair.It premiered on 4 December 1924 at the Théâtre des Champs-Élysées in Paris as a prologue and entr'acte for the Ballets Suédois production of Relâche, [1] based on a book by Francis Picabia, [2] which had settings by Picabia, was produced by Rolf de Maré, and was choreographed by Jean Börlin.