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The word also acquired the meaning of 'one who consoles' (cf. Job 16:2, Theodotion's and Aquila's translations; the LXX has the correct word parakletores). It is probably wrong to explain the Johannine parakletos on the basis of only one religious background. The word is filled with a complex meaning: the Spirit replaces Jesus, is an advocate ...
The term paracletus is the Latinised form of the Greek word παράκλητος (parákletos), meaning comforter. It is another name for the Holy Spirit. [5] [6] Stylistically the album continues in the experimental vein of their previous work since 2004. [7]
— In the mean time, also, that madman Manes, (Mani is of Persian or Semitic origin) as he was called, well agreeing with his name, for his demoniacal heresy, armed himself by the perversion of his reason, and at the instruction of Satan, to the destruction of many. He was a barbarian in his life, both in speech and conduct, but in his nature ...
The Phrasikleia Kore is an Archaic Greek funerary statue by the artist Aristion of Paros, created between 550 and 540 BCE. It was found carefully buried in the ancient city of Myrrhinous (modern Merenta) in Attica and excavated in 1972.
Greek art, especially sculpture, continued to enjoy an enormous reputation, and studying and copying it was a large part of the training of artists, until the downfall of Academic art in the late 19th century. During this period, the actual known corpus of Greek art, and to a lesser extent architecture, has greatly expanded.
Modern Greek art, after the establishment of the Greek Kingdom, began to be developed around the time of Romanticism. Greek artists absorbed many elements from their European colleagues, resulting in the culmination of the distinctive style of Greek Romantic art, inspired by revolutionary ideals as well as the country's geography and history.
The sculpture of Greek Classicism, although sometimes the target of criticism that relates its ideological basis to racial prejudices, aesthetic dogmatism, and other particularities, still plays a positive and renovating role in contemporary art and society.
Such wreaths or crowns were represented in classical architecture, in ancient Greek art and sculpture, and in Roman art and sculpture. As well as being awarded for merit and military conduct, they were worn by orators, priests performing sacrifices, by the chorus in ancient Greek drama, and by attendees of a symposium.