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Michael John Simon (1947 – 29 August 2021) was an American ceramic artist. He is known primarily for his salt-fired stoneware works combining distinct forms with wax-resist animal or natural motifs. [1] [2]
The wax will "resist" the dye, and after it is removed there will be a pattern in two colours. Batik, shibori and tie-dye are among many styles of resist dyeing. [3] [4] Wax or grease can also be used as a resist in pottery, to keep some areas free from a ceramic glaze; the wax burns away when the piece is fired. [5]
[1] [7] He followed sgraffito and wax resist techniques to decorate his ceramics. [6] It is noted that his work had an influence from the Swedish designer Stig Lindberg and the American artist Peter Voulkos. [6] His works are in notable museums including the Smithsonian American Art Museum and the Everson Museum of Art. [3]
Raku is a unique form of pottery making; what makes it unique is the range of designs that can be created by simply altering certain variables. These variables—which include wax resist, glazes, slips, temperature, and timing [16] —ultimately determine the outcome when firing a piece of clay.
Moche portrait vessel, Musée du quai Branly, ca. 100—700 CE, 16 x 29 x 22 cm Jane Osti (Cherokee Nation), with her award-winning pottery, 2006. Ceramics of Indigenous peoples of the Americas is an art form with at least a 7500-year history in the Americas. [1] Pottery is fired ceramics with clay as a component.
Techniques were developed to transfer images to screens photographically. The process was in use for ceramics by the mid-20th century, and is now the main way of decorating ceramics. It can be used to print curved shapes such as mugs with underglaze, onglaze, glaze, wax resist and heated thermoplastic colors. [25]