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Developing from earlier silk techniques, the name "yūki-tsumugi" was adopted in 1602. Weavers were invited from Ueda Castle and the cloth, at first plain, was used as a gift for the shōgun. [3] In 1873, yūki-tsumugi was exhibited at the 1873 Vienna World's Fair, and became known worldwide.
It is a tabby weave material woven from yarn produced using silk noil, short-staple silk fibre (as opposed to material produced using longer, filament yarn silk fibres). The short silk fibres are degummed [1] and, traditionally, the yarns are hand-joined to form a continuous length before weaving, [2] a technique also used for cheaper bast fibres.
Warp and weft in plain weaving A satin weave, common for silk, in which each warp thread floats over 15 weft threads A 3/1 twill, as used in denim. Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth.
In the terminology of weaving, each warp thread is called a warp end; a pick is a single weft thread that crosses the warp thread (synonymous terms are fill yarn and filling yarn). [ 2 ] [ 3 ] In the 18th century, the Industrial Revolution facilitated the industrialisation of the production of textile fabrics with the "picking stick" [ 4 ] and ...
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He had invented a way of using the programmable loom to weave colourful pictures from silk. [1] By 1862, Stevens could produce four different designs. He attempted to appeal to the mass market, selling his products between six pence and fifteen shillings each [3] in order to stimulate a demand that would keep his workers in employment. [4]
The Ravenstail weaving technique almost went extinct after 200 years of inactivity. [9] [11] Cheryl Samuel was the first person to replicate Ravenstail weaving for revival purposes, and by the mid-1980s she had obtained permission from several Pacific Northwest indigenous tribes to revive the art to regularly teach classes on the subject. [1]
Fabrics with defined enough ribs can be calendered with smooth rollers and produce a moire finish; however generally the rollers have ribs that correspond to the grain of the fabric. The moire effect may be obtained on silk, worsted, or cotton fabrics, though it is impossible to develop it on anything other than a grained or fine corded weave. [7]