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The arts in the Philippines reflect a range of artistic influences on the country's culture, including indigenous art. Philippine art consists of two branches: traditional [1] and non-traditional art. [2] Each branch is divided into categories and subcategories.
The culture of the Philippines is characterized by great ethnic diversity. [1] Although the multiple ethnic groups of the Philippine archipelago have only recently established a shared Filipino national identity, [2] their cultures were all shaped by the geography and history of the region, [3] [4] and by centuries of interaction with neighboring cultures, and colonial powers.
Rice Terraces of the Philippine Cordilleras (Extension) Ifugao: iii, iv, v (cultural) 2024 The Rice Terraces of the Philippine Cordilleras is an outstanding example of an evolved, living cultural landscape that can be traced as far back as two millennia ago in the pre-colonial Philippines. [33] Prehistoric Sites of the Cagayan Valley Basin
(1) 1776(2) 1818: The (1)San Vicente Ferrer Church Complex is an 18th-century Baroque church known as the best preserved Spanish colonial-era church in the province of Nueva Vizcaya. The (2) Dampol Bridge is a single-span brick and rock bridge built by the Isinai and other indigenous communities during the Spanish colonial era.
This list contains an overview of the government recognized Cultural Properties of the Philippines in Central Luzon. The list is based on the official lists provided by the National Commission on Culture and the Arts, National Historical Commission of the Philippines and the National Museum of the Philippines.
The Cultural Center of the Philippines Foundation, Inc. (Filipino: Sentrong Pangkultura ng Pilipinas, or CCP) is a government-owned and controlled corporation established to preserve, develop and promote arts and culture in the Philippines. [2] [3] The CCP was established through Executive Order No. 30 s. 1966 by President Ferdinand Marcos.
Varying Austronesian architecture existed althroughout Southeast asia including what would later become the Philippines. These varying styles exist within different Austronesian ethnic groups but what they have in common is the used of organic materials, Thatch roofings and are often raised above by posts or stilts to avoid floods.
The National Commission for Culture and the Arts (NCCA) under Felipe M. de Leon, Jr. launched its program on SLTs in 1995. [1] [2] [3] The NCCA supports SLTs as part of the UNESCO's mandate to preserve living traditions of the indigenous peoples. SLTs are community-managed centers of learning headed by cultural masters and specialists who ...